Cow Art
I wonder if you flinch at all
At cows upon the bedroom wall
That have great horns and twitching tails—
The massive cow that seldom fails
To win a ribbon at the fair—
Perhaps it’s odd to see them there
But I admire those cows, you see,
And like them watching over me
To fend off any sleepless nights
And fill my dreams with cow delights
Whether it’s only on my mind as a continuation of its recent theatrical theme is debatable, but I do think a great deal about location. More likely, perhaps, because whatever minute remnant of my Viking heritage remains in me is expressed in waves of desire to go, to be at or in, other places. It needn’t be out of dissatisfaction with my present; I’m simply aware at one level or another of how much great magic is Out There everywhere, luring me.
In any case, one of those relatively few things that will often set my heart racing is the image of a setting for some new act on my part. It may be quite specific–the upper room, reached by improbable set of impractical stairs, in an old clapboard chapel where I used to sneak away to daydream in the dust-glittering beams of attic light, perhaps. Other times, it might be more general, like that vague yet insistent itch to be at some glorious outdoor place defined more by its unsullied native air, free of any human-made flaw and full instead of the intimate stirrings of the natural world. Sometimes my soul inclines toward places known, and others, to something that may not yet even exist.
Perhaps the latter is my cue to see that there are places I myself should be inventing and shaping. Mayhap there is a scene–is an entire tale–yet to be writ, precisely so that I can be the first actor on its stage. Do you suppose that this is how we must address Life to fully inhabit it?
Places, everyone!
Everything is not always as it appears. For good or ill, our first impressions are often quite mistaken, and responding to them with too much speed often means, if not outright failure, at least diminished returns of success.
Take Bonnie and Clyde‘s visit to the Ponder State Bank. Those bank robbing hicks, made famous and a good bit more glamorous than the average two-bit crook by media and public appetites right from the contemporaneous news accounts on down through the Hollywood version of them incarnated as Faye Dunaway and Warren Beatty, were perhaps more prone than most to such snap judgements, given their line of work. Undoubtedly, once they started their career of armed robbery, they weren’t likely to be given any sort of chance to explain themselves or do anything particularly legitimate without being suspect, and clearly they weren’t allowing a leisurely approach in which to assess and evaluate any situation as they approached the end of their road.
So when they showed up in little old Ponder, Texas, hoping to make a full withdrawal of the bank’s funds without having their own account number, it’s little surprise that they weren’t welcomed with open arms. In point of fact, it is a little surprising that they weren’t greeted with firearms, what with the swath they were cutting in those days, and it being Texas and all. Not to mention that, had they checked their information ahead of time to plan the heist, they would have learned in advance that the Ponder bank had gone belly up just previous to their visit, thanks to the Depression. Turned out to be a bust both for the bank and for the troublesome twosome. Irked, whether at their lack of foresight or the bank’s inability to supply them with cash, Ms. Parker and Mr. Barrow just shot the place up a little in that casually friendly sociopathic way of theirs and took to their heels again.
And as anyone who knows the tale of Bonnie Parker and Clyde Barrow knows, that dash didn’t end well for them at all. Perhaps a touch of circumspection and introspection now and again in their lives might have led to a considerably less messy end.
Avoiding hasty conclusions can make quite the difference in the tiniest of things as well.
Take driveway-cleaning.
While I’ve been out in the yard traipsing about and yanking up the occasional weed, I have seen that some are much too lovely to bump off with abandon. After all, a weed is only a wildflower or a self-sown plant that has popped up in an unintended spot. So I tend to leave many such characters alone when I can, hoping that my neighbors won’t be too chagrined at my assembly of oddments growing in weird and unexpected locations in the flowerbeds, lawn and periphery.
I tend to be a little bit more ruthless, admittedly, when it comes to the paths and walkways, not to mention the driveway, because what grows through the cracks there tends to widen the cracks. What widens the cracks, in turn, pushes the stone and concrete farther to each side, and what pushes to the side can in its turn put undue pressure on the house’s adjacent foundation, and what can shift my house is a little more risky than the occasional irritable neighbor shifting my attitude.
So when I saw that where our driveway dovetails with the next door neighbor’s at a shared bit of curb, there was stuff sprouting brazenly in the sun, I headed right on over to give that little interloper a tug and a toss. I would probably have looked especially ridiculous, since I was making quite the determined beeline for it, if I’d been geared up in full cowgirl regalia, but fortunately the only High Noon spur-clanking on the occasion was strictly mental on my part as I headed for a showdown with a measly little weed.
Good thing the driveway is quite as long as it is, because I got mighty close before I could see clearly that this particular one was the very first of our blooming bluebonnets. I’m not certain that weeding out a specimen of the State Flower is a capital offense in Texas, but as a big fan of them I can definitely say that I would have been sorry as a sway-backed mule if I’d killed that pretty little plant. So I thank my lucky stars that I was slow to get there and had time to rethink my approach before that winking blue beauty got cut down in its prime. We should all be so lucky.
Bread for the morning came from five-o’clock ovens fired with passion and streaked with musky, pungent olive oil; the steam rolled out of those great clay caves and up the terraced resin scented hills of vineyards’ cool and shadowed kiss. Inside the chalk-white walls with their gauzy curtains strewn and the brick brown pavers all around worn by pacing wiry dogs and treading cats, the whole countryside slept, immobile, somewhat far retreated in their beds before the wavy rays of fourteen-karat sun-baked into turquoise heat our ceiling of sky.
Cats are nature’s hate-seeking missiles. If there’s a houseful of guests, only one of whom dislikes or is wildly allergic to felines, everybody knows that’s where the household cat will make a speedy beeline and glue itself to the ankles of whichever sufferer would rather the cat were somewhere about a thousand miles away. As it happens, when they choose to do so, cats can also sense affinity. Some are so quick to attach to the humans who will indulge their every whim that they must probably have a sense transcending the dimensions we with our merely mortal five senses perceive.
In both, I have seen parallels in human form. There are some who manage at every turn to recognize quickly and attach themselves instantly to others who will love and appreciate them and all their gifts—and some, conversely (or perversely) who have only the knack of finding and sinking their hooks into people who would rather they were about a thousand miles away.
A Whiff of Happiness
While all you two-legs types are mired
And wallowing in wintry fear,
I see spring’s hints and am inspired
To smell the happiness from here
What gain or merit mankind finds
In only frigid, dormant joy,
When you could wag those sad behinds,
Dance forward, every girl and boy—
Hold on to sorrow if you must,
While I lap up those thrills made dear
By breaking through the frozen dust:
I smell the happiness from here!
Farm Land
Few things can match the beauty of
Black soil that’s newly tilled
And redolent of things to come
As soon as March’s chilled
Cold heart has given up his hold
And April’s warmth begun
To set the life-renewing pulse
Of earth under her sun.
Restorative Dreaming
A pensive morning in quiet shade
Of this is inner contentment made
A sip of silence, a moment’s rest
In the garden corner I love the best
With butterflies skimming the border’s blooms
Voile curtains billowing out of rooms
A book of poems upon my lap
Read in short bursts between nap and nap
And the sound of a bicycle coming near
To bring the post of love-letters here
I’d rather recline in this reverent haze
Than waste on reality any days
Now that everyone seems to have the technology to make cheap watches (which I must designate in my heart mere instruments for marking time, not timepieces), I get to wondering whether the beauty of true clockworks will always be preserved or will only serve as curiosities and fodder for art. That precision we take so nonchalantly to be ours is a museum of measurement and the poetry of a mechanism we should keenly regret to lose if we value something more than the rigid math of time, the seamless meeting of Doing and Deadline.
Daybreak ReturnsFrom the grasslands, from the marshes, from the margins of the moor
Rise up misty ghostly creatures in the pearly light of dawn,
Some mementos, revenants or sylph-like spirits past and gone
To the brink of ancient memory and up to its creaking door,
People whom we, fond, remember or with some frisson of heart,
Those who populate our past, storied as fabled gods and kings,
Filled with magic and wild treasure and a million pretty things
That we wish we might have honored as such value from the start—
So at daybreak they come whispering, returning, silver-grey
Without tarnish in their sterling, as they rise up in our sight
And return to us those memories had fallen into night,
Bringing back that love and loveliness of theirs to present day
