Real-Life Mysteries

While I’m on the subject of mystery stories (see yesterday’s post), there’s a true one that I hadn’t ever heard of until recently that almost defies imagination, even generations later. But that’s what true mystery stories do, isn’t it.

The story of a female immigrant serial killer/mass murderer, born in Norway but made in America, was a hideous and irreconcilable tale of horror and crime in the 19th Century and remains one today. Belle Gunness, who is believed to have killed all of her own children, two husbands and a handful of suitors, not to mention an accomplice or two of her own along the way–possibly executing as many as forty people in her lengthy crime spree–is surprisingly little known nowadays. I fear that this may be because we have so many other hideous and oversized monstrosities and real-life mystery stories handy to horrify and mesmerize us that many likely get pushed out of memory by the current ugly news. Undoubtedly the advent of World War I‘s dreadful specter was a factor in overshadowing a single murderer’s story rather immediately on its discovery.

All the same, once I knew of it, I found the woman a compellingly repellant subject for another mystery story illustration, being a subject worthy of an Edgar Allan Poe style drama or, yes, a true-crime cinematic epic. Though it was one of those news stories that ‘rocked the nation’ when uncovered a hundred years ago, the tale of Belle Gunness is relatively obscure nowadays. There have been a few generally tepid and mostly heavily fictionalized stories, books and movies based on the horrors wrought by this one woman’s apparent sociopathy and the trail of blood left in its wake, but it’s remarkable to me that such a grim, terrible story is scarcely known on a wider scale anymore.

Frightening, dark, and perhaps an indictment of the worst of human nature in general, yes–but I think perhaps part of the reason I find mystery stories so gripping is because I think they remind us–again in that somewhat ‘safe’ and detached format of past-history or fiction–that brilliance and the abyss are constantly in conflict in the human heart and only by understanding this and being willing to examine it in ourselves can we have a chance of rising to beauty and shunning the grotesque urges that we might have–and, if we’re truly fortunate, catching up the would-be wrongdoer in humane and forgiving and healing arms before she can ever fall so far. That’s my hopeful fiction, and I’m sticking to it.

La Belle Dame sans Merci of the prairies, Belle Gunness. What fearful horrors shaped this woman’s inner darkness?

Today, I present Belle Gunness, a truly fallen woman and black widow whose mystery may never be fully unraveled, for your contemplation. May we never see her like again.

Amazing but True

Some years ago on this very date there was a shift in the universe. It wasn’t exactly an unexpected one, in the sense that it had been foreseen for about nine months, but surely its full grandeur could not have been predicted. And not everyone on earth knew right away what a wonder had occurred, because the wild and wonderful event in question was the birth of my third sister.

While she was, like the others–I can’t speak for Big Sister‘s first two years except upon having studied pictures of her effortlessly spectacular adorableness before my own appearance in this plane of existence–charming, pretty and charismatic from the start, there was no way of knowing in advance just how fabulous she would prove to be. That’s the thing about siblings: they are inherently outliers to our frame of reference until their influence on our lives appears in real time. And like our two other sisters, the youngest was her own brand of greatness from the start.

What we quickly learned was that she had a uniquely clever and witty point of view and was rather fearless about besting her trio of big sisters in many a moment simply by sitting back and watching our various adventures, figuring out where we might have gone a bit astray with them, and powering on ahead when her turn came. This was perhaps most evident to the rest of us when she would check in with our parents on whether a particular action of any of ours that seemed just a little outrageous was in fact worthy of our getting in trouble over, and if not, then couldn’t she do it, too? [I am not entirely certain that she wasn't occasionally disappointed when we weren't in trouble for the activity in question, but that's a topic for another day.]

And Little Sister wasn’t very old at all when some wise guy quizzed all of us girls on our life’s plans. What did we intend to be or do when we grew up? Undoubtedly he was looking for some nice, pat conventional answer like Teacher or Nurse or some superlative man’s nice little wife, but my littlest sister’s response was unhesitatingly ‘Amazing but true!’ We did not quite grasp at the time that this was indeed both a plan and a vocation, but by cracky, she turned out to have gotten it exactly right. In all of the years since, she has been and done many things, accomplished a tremendous amount, continued to be charming and beautiful and charismatic, and absolutely has embodied a life’s saga that despite being utterly Amazing is still entirely True. We can all vouch for both aspects.

She has been, in various turns, an outstanding student, a fine violinist, and an intrepid traveler; all three of my sisters studied and/or worked overseas at college age, and this youngest met and married our superlative brother-in-law while doing so and has now lived longer in Norway than she did in the US. She speaks Norwegian not just like a good student of the language or even like a person whose lineage encouraged her to hone it to refinement but like a native-born speaker, which prompted one of her nephews in his youth to proclaim her the Smartest Sister in our family. Since I happen to think each of my sisters the Smartest One as well as the Most Fabulous (and if you can’t do that kind of math, refer back to my post on Auntie Ingeborg’s science of favorites) I wouldn’t disagree with that assessment. My sister has been an administrator, translator, friend, daughter, wife and mother, and much more. She has navigated the waters of an adventure-filled life with both nerve and verve and I still marvel at her excellence every day.

So, on this anniversary of that auspicious occasion whereon she first graced us with her presence, I can say as I always have and always will that her arrival completed the set of our family in ways that we could never have expected or would have dared to wish, and filled any empty spaces, even where we didn’t know they’d existed, with a rare form of love and happiness. I thank her for this gift of herself. And I wish for her many, many more years of being as Amazing as ever!

Maybe not Captain of My Own Destiny, but at Least I’m on the Crew

When I was a young artist-in-the-making, it irritated me to no end that people who saw my interest in art and knew of my Norwegian roots often instantly assumed that I was a big fan if not acolyte of Edvard Munch, Norway’s best known artist. Besides that my knowledge of Munch’s work was pretty nearly limited to ‘Skrik‘ (‘The Scream’) and what little else I’d seen even in passing was not at all to my taste, I took it as an insult and a frightfully narrow-minded view of my potential. And that, my friends, was the capper, because it implied that I was not in charge of my own future but predestined by my ancestry to be a pale imitation of somebody I wasn’t particularly fond of or impressed by in the first place. I was jolly well going to go my own way and choose my own muses and inspirations and, most of all, I was absolutely not going to be told what to do and when and how to do it by some ghostly abstract borne in my bloodstream.

As a very fortunate young pilgrim, I did manage to get to the Old Country and spend a little time rooting around my ancestral stomping grounds during my undergraduate studies. I got to meet and spend time with my great-aunts and various other relations and visit the house my grandfather helped build for his elder sister, our Tante Anna, and the family farms–the sylvan Ovidsland property with its tidy white house and taller red barn set in among the slender birches, and the more remote summer pastures of Eitland, a smaller and more rustic place on land with a sweet little lake for fishing up dinner. I was able to see the headstones of relatives long-gone, outside the little church where many of the family had attended services for many an age, and walk paths and travel roads where many of them had trod and ridden for ages before that.

Eitland, painted by an unknown family member or friend in the early 20th century.

It was a rich and rare opportunity to both visit the places of my family’s past and to live among my Norwegian family in their current places and way of life, something that few people get the chance to do and that I will treasure for as long as I live. Because it did change me, and change my point of view. It may seem strange, but some of the greatest change happened in completely unexpected ways; I was not especially surprised, though quite pleased, that getting to know family I had not known before and see the world from which my grandfather in particular emerged to live in the States (my other three grandparents‘ ancestors all came from other parts of Norway, where we had less constant and present contact). But I never imagined that simply setting foot in the country of my ancestors would move me as it did. I could never have begun to imagine that I would be so struck, feel such a palpable and somehow heart-wrenching connectedness on standing in front of the amazing Oseberg ship in the Viking Ship Museum of Oslo–but I was; I did.

And I was truly astounded to discover, when I–a little reluctantly, perhaps–went with my sister to visit the Munch Museum that I not only found Edvard Munch’s work much more technically impressive and more profound, his life story and the stories that gave life to and were expressed in his work more impressive and thought-provoking than I had ever dreamed I would allow, but indeed, there was a lot more that I found simply compelling and even, startlingly, appealing. First of all, the guy could draw. He could paint, make prints, tell stories. He was, dammit, gifted and actually worthy of the attention. How very annoying of him, really. Because then I had to come back and re-think what I was doing a little bit. Was it so terrible to reflect something of our however-peripherally-common ancestry in my own work?

I had, if anything, a new appreciation for how much I didn’t wish to emulate his life, with the illness and suffering that marked life for and around him. But to take, as he did, what life presented and put it through the same filters of self and vision and thoughtfulness and surrealist whimsy and passion–that might be precisely what could make me more, dare I say it, myself as an artist. Who knew.

So by the time I set about making the collection of artworks for my master’s degree exhibition, it was an amusing ‘closing of the loop’ to find quite a number of people observing the works in preparation and in the finally installed show coming back to that same old observation that had used to frustrate me so. ‘Has anybody ever mentioned how much your work is reminiscent of Munch’s?’ It was even amusing to me to realize that, though the subjects might stray from his, though the media were sometimes decidedly different and the techniques concomitantly skewed to fit them, and though most of these viewers had no inkling of my ancestry, apparently there was a little something making its way up from my roots to the surface of my art.

Somewhere along the way I had also started to grow up a bit and begun to figure out that we all, inevitably, have less control over our own destinies than we fancy we do, and that that’s not inherently a bad thing–that life will always surprise us and challenge our grand plans and hopeful dreams and carefully charted paths. That the very things we can’t predict or control help to guide and shape us into things we might never have imagined we could plan or wish to do or to be. I guess I just took a longer and more convoluted route to letting my little commonalities with my fellow Norwegian artist Edvard show through; being dead, he could spare the time to wait for me to catch up. And once I got comfortable with the idea of seeing a hint of him in the mirror, I didn’t feel like screaming anymore either.

Foodie Tuesday: A Little Latin Love

It was Tapas Tuesday today. Since we were having the Collegium crew over after their performance of the exquisite Requiem that concluded the compositional career of the magnificent Spaniard Tomás Luis de Victoria, it seemed only appropriate to feed them some Spanish-influenced food and drink. I am neither a Latina–though much of my Norwegian ancestry did come from the southernmost part of Norway, so that makes me virtually Mediterranean, no?–nor knowledgeable about Spanish cuisine, but I took my usual loose and playful approach and didn’t get any complaints.

It’s wonderful to start learning a cuisine by means of a party rather than a full meal, to be sure. Numerous bite-sized dishes offer a much more forgiving palette for pleasing a large number of guests. Among the attendees were some who needed vegetarian, peanut-free, and gluten-free options, a couple of underage visitors and a nursing mother, all of whom would be needing non-alcoholic drinks–and then there were those for whom none of that was relevant. Again, the variety of items possible in a tapas party easily lends itself to such flexibility. It’s no wonder hors-d’oeuvres and cocktail parties and bar menus have remained tremendously popular since their inception.

What I don’t wish to do is to attempt to be all-things-to-all-people. It’s futile. It’s overly precious and annoying anyway. I’m just not willing to attempt that in any aspect of my life, least of all when I rather hope that people are visiting us at home because they actually want to visit with us, not because they’re looking for some mythic party experience. The funny (and not at all surprising) thing about it, of course, is that it still took me all day to get ready for the shindig before my husband got home from school to get ready and head over for the performance before 6 pm. Because, large or small, food and drink items take some prep work.

I did want to squeeze in some time for house tidying, at least in the rooms we were using tonight, and of course there was a load of laundry to be done and a kitchen-full of dishes to be washed and put away, a batch of bone broth to set to cooking, and oh, yeah, some errands, some garden watering. You know, the usual. Which is all to say that there is a reason or two that it’s a shade after midnight, and yes, I can tell time, so I know it’s not Foodie Tuesday, strictly speaking, anymore. Therefore I’m just posting this with a teaser photo or two (murky and fuzzy at that) to assure you that tomorrow I will tell a bit more about what I made for today. Come to think of it, perhaps I’ll get to eat some of it tomorrow. Because as you all know, when you spend the whole day fixing things for a party and then have fun people show up for the event, chances are pretty good that you’ll go to bed without having actually eaten any of what you fixed, other than a quick taste here or there while in mid-prep.

But I got to meet a few new people, or at least visit with some I’d not yet gotten to chat with before, and hold the exceedingly charming 5-month-old daughter of one of the singers. So I’m not complaining in the least! Still, it’s past my bedtime and well past when I would like to have posted this, so I’ll just bid you all a good night and sign off until tomorrow. Stay tuned, my friends!

Curtseying & Polishing My Tiara Madly

Now, there's really no need for you to go putting up any monuments in my honor or installing any statues of me . . .

. . . and while I love a good concert and the after-parties are outstanding, it's not necessary to write compositions in my honor and get the marching band ready for a parade . . .

. . . and while I do love a good monetary recognition, it's hard to explain any sums sizable enough to be really impressive when our fine friends from the Internal Revenue Service start paying attention to the numbers . . .

. . . so I think I'll just say that my heart is warmed immensely by the kind light you've shone on me, and that in return I hope that I can be a little brighter and a little more generous with my light to the rest of you, and that you will all pass it along as well . . .

Once again I have been receiving kind and generous notices of recognition over the last few weeks from my gracious blogging friends, and I’m overdue to say appropriate thanks in response. So here I am at last, with another lovely gift-basket filled with Genuine Blogger, Versatile Blogger, Sunshine, and Kreativ Blogger Awards and feeling overwhelmed as always at the munificence of the online community. These latest are conferred upon me, regardless of my deserts, by my fellow poets, artists, foodies, gardeners, essayists, music lovers, travelers and others with whom I’ve so fortuitously crossed paths out here in the ether and am enjoying the marvels of mutual entertainment and discovery.

It is with a humble and happy heart that I thank Meg, Susie, Mark, Mars, Kofegeek and Tamara. Some of these have been friendly correspondents of mine for a lovely while now, and others are quite new to me, and I highly recommend that you have a look at all of their blogs! Meg is a veteran traveler for her relatively few years’ opportunity, and always posts marvelous pictures and original thoughts and ideas about places visited and things done there. Susie writes with great good taste, artful illustration and photography, and shares stories and samples of fabulous food and outside-of-kitchen adventures, too. Mark, an outstanding graphic designer in the UK, sometime DJ and constant educated music listener, gardener and traveler, always has a wise and witty twist to his posts. Mars has lived a rather cosmopolitan life but keeps a grounded and sensitive point of view, traveling, writing moving and insightful observations about life’s vicissitudes, and seeking beauty and light in the world. Kofegeek brings ingenious humor and insightful discourse to matters of science and math, cats and coffee, and much more. Tamara is a marvelous gardener from Ljubljana who is working to create intergenerational conversation about that earthy art.

Meanwhile, I am required by the rubrics of these awards to do a little personal sharing with you, my readers, and to introduce to you other worthy bloggers, and so I am going to combine my efforts and ask that you have a good visit to some truly worthy sites elsewhere as well. Share the love!

First, 10 blogs and bloggers worthy of your attention:

Cynthia @ http://lesplaisirssimplesdelavie.wordpress.com/ (photos, thoughtfully captioned with brief yet expansive and often lyrical text)

Natasha @ http://comeduemaiali.wordpress.com/ (seriously, how can you not enjoy eating ‘like two pigs’? I know I do, oink oink) Important update announcement: I am clearly not as smart as even one little piggy, because I completely missed that Natasha had been one of my award benefactors in the first place. But I’ll pretend I Meant to Do That just so that I could pass on the other awards back in her direction! Because, and I am not making this up, she really deserves them anyway!

Becky @ http://beckyfrehse.wordpress.com/ (a longtime friend, Becky is a tremendously versatile mixed media expert, visual artist, collaborator, teacher and all-around cool person)

Lorelei @ http://incidentallearner.wordpress.com/ (rediscovering her incredible painting gifts, she’s a watercolorist and storyteller extraordinaire)

Bente @ http://bentehaarstad.wordpress.com/ (no, I’m not prejudiced just because she’s from my ancestors’ homeland, Norway–she’s a really fine photographer!)

Sue @ http://suellewellyn2011.wordpress.com/ (another distinctive and fine photographer, capturing other parts of the world, caught my eye)

Pat @ http://rantingchef.com/ (making all sorts of stellar and luscious foods sound and look fairly simple to make, and worth the effort even if not so easy)

Maggie @ http://thelittledesignstall.wordpress.com/ (a Pinterest-style blog full of gleefully over-the-top and often spectacularly inventive and gorgeous design images from all over)

Maenamor @ http://antiquityandadventures.wordpress.com/ (guiding us around scenic bits of England and Wales and sharing special local events with their fascinating stories)

Robi @ http://kabyahe.wordpress.com/author/robijiz/ (introducing cultural and natural beauties of the Philippines in outstanding journalistic and artistic photography)

Meanwhile, back to talking about myself, because I’m so incredibly exciting!

I think almost anything could be improved by the addition of browned butter (beurre noisette), possibly including a plain spoon about to be stuck in my mouth;

&   I have rather excellent printing (lettering) skills because my cursive handwriting, though perhaps interesting to look at, is almost indecipherable even to me;

&   If I don’t sleep at least nine hours a night I am not very likeable company;

&   Classical music is often my go-to choice, but there are others that have particular allure for me at different times or under varying circumstances, i.e., Blues music during physical labor, vintage ZZ Top, Oingo Boingo and Van Halen on road trips, reggae on a beachy sunny day, jazz and swing for hanging around people-watching in a cafe, and so forth;

&   The smell of coffee is heavenly to me, but I don’t drink it often and then only as flavoring for lots of cream and sugar;

&   Perhaps because of my temperate Northwest upbringing, I think of green as a perfect neutral color, just as much as the traditional black-white-grey-brown palette;

&   I’m not particularly girly (in the ruffles and bling and pink sort of pop-culture way) but I am fond of being female and even sometimes live up to sex stereotypes, if accidentally;

&   Not much of a crier (maybe I tend to try to be stoic when genuinely sad), except at the most silly sappy stuff, but I am an inveterate hugger and hand-holder;

&   I’m so old that I went to a school where there were no lockers, only a cloakroom; that the houses and cars in the neighborhood were all generally left unlocked; and that the older kids piled loosely in the backseat of the car while the baby sat in Mom’s lap up front;

&   I’m so young that I think Bucket Lists are for people thousands of years older than me because I have all the time in the world and naively believe that I will get around to anything that matters enough, eventually.

On that note, I really must finish this up for today and get it posted, because despite my limitless future I find that blogging is a time-consuming joy and can easily eclipse numerous other activities that may well turn out to be worth the doing if I don’t get too obsessed and distracted leaping around the meadows of the Internet in the grand company of my many admirable blogging playmates and mentors and companions.

Hurray, Hurray, It’s Boxing Day!

Christmas was a genuinely Big Deal in my family’s household when I was a mere stripling. Not only were there the churchly obligations and celebrations inherent in a pastor’s (that would be Dad’s) profession but there was being in a Norwegian-American extended family quite fond of eating, partying and jamming into one or another of the aunts’-and-uncles’ homes, all thirty or forty of us, to mark the occasion with the annual family gathering of the season. There was the feasting, of course, with mountainous platters of lovingly baked Hardanger and potato lefse*, meatballs, and all of that tasty stuff, not to mention all of the traditional cookies–rosettes, fattigman, sandbakelser, krumkaker and the like–enough to get kids and adults alike surfeited with sugar for the rest of the week. There were the much-anticipated visits from Julenissen, who in a stunning development was a dead ringer for Gramps at his jolliest and arrived bearing a big burlap sack full of surprises stuffed into other surprises, and all secreted in a multitude of newspaper-mummified little packets that had to be carefully unrolled, unwrapped, unfolded and unwrinkled from the mass in the sack, one by one, to reveal anything from a single nut in its shell to a dime-store toy to a larger gift earmarked, one for each specific kid among Granny and Gramps’s–ahem, I mean Julenissen’s–much-loved passel of holiday-hyper children.

At home, Christmas Eve was the biggest day of the season, thanks to the Norsk roots on both sides of the family, and always included the midnight candlelight service but also usually had its own bit of household festivities, not least of them the opening of the gifts; only the Santa stockings were reserved for that “lesser” festival of Christmas Day morning. Perhaps the most distinctive Christmas Days were in the years when we would have some of the family, often from Dad’s side, at our house since they weren’t always at the big gathering of Mom’s much more extensive family. Then, if Dad’s relatives were with us on Christmas Day we might well do another post-Norway-inspired deed, moving the Christmas tree into the middle of the living room and circling it slowly, hands joined, while singing a couple of old Norwegian Christmas carols. Lest you get the wrong idea here, we were so far from the von Trapp family as to mostly stumble around in our circle, forgetting half of the songs that we only half understood anyway (the pantomime bits that went with the songs were the best part, for all that), and on two occasions our beloved great-Auntie Ingeborg tipped the tree right over. But of course it was entirely worth it to get through that ritual to reach the package-unwrapping mania that followed, so we dutifully did our attempted tree ‘song and dance’ without too much impatient grumbling. After all, the tree might get tipsy yet again if Auntie was with us, one hoped.

Christmas Day, if it risked being anticlimactic after the big splashes of family visiting and diet-busting and gift-giving on and before Christmas Eve, wasn’t without its own attractions. First and foremost, it was a day when we were allowed to recover somewhat quietly from all of the foregoing extravagances, always rather oversized and glamorous in our eyes because of the time spent with our crowd of cousins and the general extremity of differentness from the rest of the year. Not that we slept in, I imagine, because despite the family focus on Christmas Eve we young twerps certainly didn’t object to getting a morning surprise from the depths of those stockings we’d hung up by the fireplace, along with the expected in-shell nuts, coins and orange, the latter best enjoyed by rolling the fruit against a hard surface to release its juices, cutting a small square opening in the side of the orb and stuffing a sugar cube in the hole through which to suck sweetened orange juice. After the hurried discovery of the stocking-stuffers we could concentrate on Christmas breakfast; the best and most traditional of the offerings on that morning would be a big pot of Julegrøt, a sweet milky risotto-like rice dish best enjoyed with plenty of melted butter and cinnamon and sugar, with a blanched whole almond buried somewhere in the pot to provide the lucky recipient with a particularly excellent year to come.

All of this tells you that I came from family traditions with no special recognition of the Feast of Stephen, let alone a clue to the existence of the great traditions of Boxing Day. When I first heard that name I might be forgiven for having thought it was a reference to the fisticuffs that followed less congenial families’ stressful Christmas Eve and Day events, and later for thinking it a reference to the pugnacious behavior of those returning and exchanging imperfect or disappointing Christmas gifts to a thousand thousand overworked retailers. It was both a pleasant surprise and a relief to discover that while both of those aspects were undoubtedly real in some unfortunate lives, Boxing Day was happily celebrated in many more households than those where it was feared.

This year’s Boxing Day at our house will be spent in rejoicing at the chance for a peaceful recovery from the unusually busy return this fall to a combined university-plus-church choral season of ‘all choirs all the time’ for my conductor husband, as we’ve been happily immersed in that good craziness now since September. So I think it’s time to introduce yet another optional definition for the day’s name, perhaps, something along the lines of a ‘Day for willingly Boxing ourselves into the house incommunicado and attempting to reverse the effects of all the wild busyness and cheerful excess that has gone before’. With that, I bid you all Peace!

See the Blazing Yule Before Us! Or just past, or a year away . . . or, well, see the coziness and great pleasure of holidays well spent!

* Tomorrow: a recipe for Mama’s Justifiably Famous Potato Lefse

Highfalutin Company

Otto von Münchow is a very nice man. But I don’t have to tell you that, if you’ve done any looking around the web. I’ve never even met him–in person–but it took very little time looking at his blog and ‘conversing’ with him in the process before I saw how much help he offered not only me with his photographic and creative-production insights but also shared with all of his other readers and correspondents. And then he went and shared a Versatile Blogger Award with me. I’m humbled, and I’m touched.

Yes, there are those who would say I’m tetched. It’s how I got where I am today! And where I am is in truly rarefied company, as I’ve been learning over the last number of months here in Bloggerville. I am surrounded by deeply gifted and incredibly generous fellow bloggers, some of whom have taught me more in my short stint as a web denizen than I learned from many an arduous class project and long years of practice. (Okay, I’ll still say the years of practice made it possible to actually understand and make use of some of the good stuff I’m learning here, so no, my young friends, don’t skip that part!) I know I’m one seriously fortunate person, surrounded by, as my good friend Nia aptly identifies them, a glorious cloud of “angels and muses”.

Sankt Synnøve, an appropriate patroness for adventurers!

The Irish/Norwegian saint Synnøve is one of a select group I chose to make mixed media portraits commemorating for a collaborative program with organist David Dahl a number of years ago. The fabulous Dr Dahl agreed to create a performance program with me, and despite his renown as a Bach expert, even agreed to plunge into French Romantic literature to please my whim–something he not only performed with superb fire and panache but taught me a lot about in the process. I loved the preparations: David would join me in the organ loft for a flurry of ‘howzat’ samples he played from a number of great composers in a wide variety of styles and moods and colors within the fantastic treasury of my dream realm. He told me about the background of the pieces, how and why and when they were written and by whom–and who that composer studied with–and so on. Gradually we winnowed down the possibilities as I began to talk, in return, about what sort of imagery these evocative pieces inspired. I fell in love with each and every song and movement, and with the genre yet again.

I also decided, as the good Doctor played, that the exquisite and potent Finale by César Franck was reminiscent of a solemn procession of saints, so I decided it was a good excuse to play around with a series of portraits, beginning with figuring out which ones it would most interest me to envision. My main criterion was simply that I was on the hunt for saints famous for more than martyrdom. While I recognize that being willing to die for your beliefs, whatever they are, my school of thought tends to be more impressed with how incredibly challenging it is to live for your beliefs. So I looked for people beatified and sanctified for their deeds rather than their being dead. The princess Synnøve certainly seemed to fit the bill, what with evading an oppressive forced marriage, adventuring off on the wild open sea to who-knows-where and landing in remote Norway, creating a community there, and then fending off pagan attackers. As well as a few other attributions that become even more mystical and magical. In all, a history that says this was one tough Celtic character who went to great lengths to shape her own destiny, and in so doing shaped others’ as well. Eventually she was joined in the recital processional by a number of other intriguing worthies–educators, hospitalers, rescuers of the poor and builders of bridges among them–and I found a large quantity of inspiration, not strictly artistic either.

That’s what I find in this new endeavor of mine too. A long parade of angels and muses that bring to me new knowledge of art, of self, and of life. And I am ever so grateful for the gifts!

We who are inducted into the Versatile Blogger community are tasked with telling you friends a little more about our selves and then sharing the gifts of the award with others whom we deem deserving as well. I’ve done this twice before (thank you, dear Cecilia and Nia!), so I’ll try to be succinct.

Saints Valery and Finian, leaders, builders-of-things, and my birthday brothers (I was born on their feast day). (I'll take my inspirations wherever I find them.)

Versatile Blogger Award protocol:

1. Nominate 15 fellow bloggers.
2. Inform the bloggers of their nomination.
3. Share 7 random things about yourself.
4. Thank the blogger who nominated you.
5. Add the Versatile Blogger Award pic on your blog post.

So here’s that Pack of Facts about me:

1 – I’m one of those awful excuses for a human being that doesn’t like blueberries. There are a number of fruits I’m not crazy about for texture but in the juice or coulis form I’ll slurp ‘em right up. Not blueberries. Don’t like the scent or the flavor any more than the texture. Yet the blueberry bush is a plant I happily put in my garden because I think the shrub is beautiful year-round, and even the berries are very pretty to look at. Go figure.

2 – Even a complete non-athlete (there are few who can begin to compare with me for lack of skills) can have a Sports Injury. My only-ever stitches are hockey related. Too bad I wasn’t making a brilliant goal play at the time, but at least I got a little scar to show for it.

3 – The dentist is my friend! I am something of a rarity, not only enjoying visits to the dentist but also hitting the 50-year mark without ever having gotten a cavity. That’s thanks to good dental care on top of a bit of good luck: my parents both have “normal” teeth, so it was clearly not straight-up genetics that gave them four caries-free kids.

4 – Besides some costume design and construction for theatrical productions, ecclesiastical vestments, and other clothing design/construction projects over the years, I’ve had a few evening gown commissions–favorites are probably the plastic-garbage-bag (Hefty Steel-Sak) gown in silver and black for a costume party (I labored over the hand-cut lace edges) and the plastic wedding gown made for an exhibition (that one had plastic doilies for its lace).

5 – No cigarette or smoking device of any kind has ever touched my lips. Wait: I did try a couple of bubble gum “cigars” in childhood (banana was my favorite of the chewing gum flavors, I think), does that count? But thankfully (for both my lungs’ and my wallet’s sake) I never had the remotest urge to experiment with smoking.

6 – I think my husband has one of the most beautiful singing voices I’ve ever heard.

7 – Many of my art projects arise from random exposure to topics, objects and ideas I encounter whilst “on the way somewhere else”. Ah, serendipity!

I know that some of my favorite bloggers have received Versatile Blogger recognition before, and I do know that it takes a great deal of time and effort to meet the requirements of acceptance, so for the following blog-stars, I personally exempt you from any of the responsive requisites, but I want to recognize publicly how much I admire your work.

Today’s Sparks Blogroll of Honor:
The Bard on the Hill

Year-Struck

Not Quite Old

The Dassler Effect

Kreativ Kenyerek

Sweet Caroline’s Cooking

The Seven Hills Collection

Patridew’s Perfect World

Aspire. Motivate. Succeed.

cfbookchick

Nine Lives Studio

Daily Nibbles

dnobrienpoetry

The Valentine 4: Living Each Day

A Cup of Tea with this Crazy Nia

With thanks and cheers for all that you do in the blog universe, I bow to you all! Onward and upward, my friends!

Hail to All Who Labor in Obscurity! . . . and Pay Attention to Your Teachers

Lineage and life-stories notwithstanding . . .

While I was working on the art for my master’s thesis exhibition, I reached a sort of critical-mass point and got a bit huffy at all of the people exclaiming that I must be a real fan of Edvard Munch. Granted, my subject matter probably looked similarly dark and dreary to many; I’ve always enjoyed playing around with that black-humor borderland between gritty and witty, where vampires slurp on souls at teatime and skeletons tap-dance a cheery, leering Totentanz of delight long past All Souls’. I’ve always found great amusement and entertainment in the design and crafting of strange monstrous birds and beasts, outlandish costumes, and rickety structures to house the people that exist on the fringes of imagination. Munch’s images and stories derived from a darker real-world observation, probably tinted by his own mental and physical state of health over time, but the outcome was arguably a comparable sort of oeuvre.

Paste onto those superficial connections the knowledge that I am of Norwegian extraction in pretty much every direction if my lineage is traced out of the US, and I suppose no one could be blamed for linking the Nordic-darkness-tinged artist in front of them with the only really famous one that comes readily to mind. I couldn’t complain about being compared to a justifiably well-known and original artist, now could I?

But I did. I didn’t really like Munch’s work, you see. I thought it obsessively gloomy and depressive and I wasn’t particularly crazy about his style. I tried really hard to disassociate myself and my work from this sticky albatross-of-an-ancestor I was being put into artificial family bondage with and get people to think of all the ways in which I differed from him.

Silly. Turns out, though I still credit myself with having a far more uplifting personal history than his was, what with my generally idyllic existence from day one, we do have a lot in common. When I saw the Munch museum in Oslo for the first time, I was beginning to see why folk might make connections beyond simple Norsk blood, from ties between us in some of the fundamental issues of interest topically and right on through to how we might apply our media to paper or canvas, how we both would wrestle through a whole series on the same subject or even remake the same picture in different media and styles over time to see how we could effect a different outcome with each attempt. I started to notice that there were evidences of similar drawing gestures and brush strokes, an impressionistic looseness with paint and pastel, that were more often similar than not.

What did I do? Rebel against it more. Silly. By the time I really started to come to terms with this whole idea of being on a path not so very different from Edvard Munch’s artistically, no matter how unlike in experience and life, it was kind of a fait-accompli, something that everyone else had acknowledged long before I was willing to do so. As I say, I was already winding up my grad school time when I began to come to grips with saying, Yeah, this is all right with me: I do so like green eggs and ham. I mean, just because Munch was Norwegian-rooted and an artist and explored darkish subjects and I could be described by exactly those same terms doesn’t mean I can’t like him or admit to it!

Once I finally leapt that completely unnecessary and self-imagined chasm, it was easy to begin finding common ground in a lot more places, affinities with a lot of different art practitioners, than I had been open-minded enough to see before. Amazing how much more I can learn when I’m not wasting all of my energy on resistance. Which is, after all, Futile (I have it on good authority). The next step, and a very long and winding road of steps at that, is the one of recognizing what can be gained by learning at the feet of the masters and of those whose place in history and the popular mind is perhaps well established, while still being myself one of the multitude who ‘work the middle’–all of us laboring at our art, our craft, learning and honing skills without any particular expectation of fame or longevity or remuneration to follow.

The short answer: everything. Why would I continue to refuse all offers of insight and inspiration and the potential to learn and grow and delight in what my predecessors–living, dead, famous and obscure–can teach me! Yes, I have learned among other things that great resources of such knowledge can be dug up with a bit of persistence on my part, or as in the case of good old Edvard Munch, shoved at me until I quit whining and pay attention. Or, as in the case of Alf Hurum, handed to me on a silver platter.

Hurum remains an obscure Norwegian and unknown to most Americans, indeed to most people outside of a relatively specialized cadre in the art and music worlds with good reason to know of him. But he was, it happens, a fine composer of piano and violin works–and somewhat influenced by, you guessed it, Edvard Munch. His reach was greater than one might guess not only because his compositional work remains both playable and listenable after lo, these many years, but also because, having married a woman from Hawaii and grown interested in her roots, Hurum spent the latter part of his life in Hawaii and there helped to found the Honolulu Symphony, among other things.

My learning of him was quite simple and straightforward: my brother-in-law, a fine pianist teaching at the University of Agder – Music Conservatory in Kristiansand, Norway, arranged for me to have a commission to do a portrait for the school when they were refurbishing their then-concert hall. This led to my studying up a little on several Norwegian musicians over time, including Hurum, and producing a set of portraits from which the administration could choose, and most importantly, to my hearing some really lovely music I’d never have otherwise known. Even better, my brother eventually did a research project that led him to make a marvelous recording of Hurum’s piano music (Eventyrland – http://www.rockipedia.no/Vault.aspx?entity=1169501), and now I have the privilege of using that as inspiration whenever I wish to listen to music while making art yet again.

I have no expectation of creating a lasting legacy and occupying any spot as a well-known character like Edvard Munch. I don’t even fantasize about lingering for generations in the ken of a refined and fortunate circle in the way of a lesser-known but also gifted artist like Alf Hurum. But I can surely perpetuate what joys there are in simply making art and learning from those betters who have preceded me in it, from here in my own quiet little corner of existence, and that is glory enough for anyone.

Little known, but not unsung . . . influential, but almost secretly so . . .